Linplug Rmv Library
LinPlug SaxLab v2.1.8 VSTi WiN x86 x64 Team CHAOS March 28 2014 367.51 MBSaxLab 2 Saxophone Synthesizer is the result of many years of investigation and programming. It uses not one technology but a very carefully balanced mixture of various techniques to obtain the most realistic sax sound you can get from a virtual instrument. Authenticity, Expression and Variation is a must to obtain believable sax sounds. Key features include an easy-to-use interface, a wide range of high-quality soundsets for bass, baritone, tenor, alto and soprano saxophone.
An effects section that includes a specialized chorus and reverb, as well as extensive real-time modulation options.Special attention has been paid to making the performance controls as rich and responsive as possible, so that the instrument can be realistically played. Inspirational SoundSets combined with an easy-to-use interface make the LinPlug SaxLab the ideal virtual instrument for musicians wanting to emulate real saxophones.4685 Views. LinPlug MorphoX v1.1.0 AU VSTi WiN MAC TEAM R2R 2014.03.04 WiN: 10.88 MB MAC: 11.61 MBDon’t get stuck in complexity, with MorphoX you just need the modulation wheel and the keys to experience yet unheard expression and transformation in sound. Morphing made simple, in realtime, drastic changes in sound, right at your morph wheel.
When you experience the sound sculptures of MorphoX you wont believe its just a quite simple subtractive synth with chorus, delay and an arpeggiator. Its dead easy to create your own morphing sounds.8199 Views. Linplug Octopus v1.3.3 AU VST VSTi WiN MACTEAM R2R 2014.02.18 WiN: 56.31 MB MAC: 76.52 MBOctopus is a “Dual-Matrix” synthesizer containing one Matrix for Oscillator/Filter frequency modulation synthesis and another Matrix for general modulation. Octopus features 8 additive Oscillators, a Sampler and a powerful approach to modulation – 32 complex multi-purpose envelopes with a wide range of modulation destinations. The key component for building a sound is the instrument’s 8 oscillators, Sampler, 2 filters and 32 envelopes. These components allow you to create anything from classic “old school” FM timbres to complex sounds far beyond those possible with conventional FM synthesis. All controls are located on a single panel which is always on view, so you can see at a glance any synth parameter.7273 Views.
LinPlug Organ 3 v3.2.0 VSTi x86 x64 WiN Team CHAOS Feb 17 2014 3.46 MBThe LinPlug Organ 3 does not try to look like the Hammond B3, we were focussed on capturing the sound and spirit of the classical organs as well as thinking of new features that accompany the classic sound. With the LinPlug Organ 3 you have all the classic sounds as well as a lot of yet unheard organ sounds right at your fingertips. Switchable Foldback, Tonewheel-Sync, realistic drawbar volume relation, the behaviour of the percussion switch, motor noise and keyclick are just a few of the aspects of the “original” sound. In the LinPlug Organ 3 you have control over all of them.5189 Views.
All technical specifications of the product specified in this manual may be subject to change without notice. The document may not be changed, especially copyright notices may not be removed or changed. LinPlug and all LinPlug product names are trademarks of LinPlug Virtual Instruments GmbH. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. And other countries. The Built for Mac OS X graphic is a trademark of Apple Computer, Inc., used under license.
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The RMV combines analog-style percussion synthesis, a fully-featured percussion sampler, and a sophisticated Loop Editor/Player. The instrument combines all of the features found on the LinPlug RM IV with several new and innovative features that represent a substantial step forward.
The RMV contains forty-eight velocity-sensitive Pads, each which can be used to trigger any one of a range of high quality Audio Modules (a selection of percussion synthesis modules. A sophisticated percussion sampler module). Each Pad has its own processing path containing an AHDSTR-controlled pitch envelope, three LFOs, an AHDSTR-controlled multi-mode Filter and EQ, three Ins ert Effects (with nine Effect options) and a “Varizer”. Each Pad also contains two distortion processors (Distortion and BitCrusher). In addition to this, each Pad also features a twelve-by-twelve Modulation Matrix, thirty-two-voice polyphony (selectable per Pad), as well as separate Volume, Output, Tune, Pan, Choke, Mute and Solo controls. The RMV introduces several new features including a sophisticated Loop Editor/Player, a Send Effects section, several “Librarians” and an “intelli gent” MIDI Mapper.
The Loop Editor/Player enables audio loops to be imported and then automatically “sliced” into separate segments. Slice points can be adjusted manually if required. Six separate Loop Editors/Players are available, each having its own dedicated processing path. The Send Effects section contains 3 separate Effects Racks, each containing 4 Effects Units. The first three Slots of each Effects Rack can be selected b y the user, while the last Effects Slot contains an EQ. The four Librarians feature detailed search and management tools for Drum Kits, Pads, Loops and Grooves.
Existing files can be imported and managed by the RMV Librarian. The “intelligent” MIDI Mapper ensures that MIDI files are played back correctly even when the Kit used to play them does not exactly match the contents of the MIDI file being played. The MIDI Mapper automatically ensures that the closest matching sound in the current Kit is used to play back the MIDI messages. For example, if a specific HiHat sound is not present in the current Kit, the Mapper selects the next-best HiHat sound from the current kit. This guide describes all aspects of the RMV and is designed so that your use of this software is as efficient and as pleasurable as possible. We feel that the RMV is exceptional because of its audio quality, its wide range of features and its sonic potential.
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Linplug Saxlab
We hope you get a lot of pleasure using the RMV and that it becomes an important part of your music-making. Peter Linsener and the LinPlug T eam, July 2008 L i n P l u g R e f e r e n c e M a n u a l 5.