Novo Cd Exaltasamba 2010 Ta Vendo Aquela Lua
Was a British Transnational founded in March 1931 in. At the time of its break-up in 2012, it was the fourth largest business group and record label conglomerate in the music industry, was one of the; the company was once a constituent of the FTSE 100 Index, but faced financial troubles and US$4 billion in debt, leading to its acquisition by in February 2011. Citigroup's ownership was temporary, as EMI announced in November 2011 that it would sell its music arm to Vivendi's for $1.9 billion and its publishing business to a Sony/ATV consortium for around $2.2 billion. Other members of the consortium include the Estate of, the Abu Dhabi–owned. EMI's locations in the, the, were all disassembled to repay debt, but the primary head office located outside those countries is still functional, it is owned by, the music publishing division of which bought another 70% stake in.Electric and Musical Industries Ltd was formed in March 1931 by the merger of the and the, with its ' record label, firms that have a history extending back to the origins of recorded sound. The new vertically integrated company produced sound recordings as well as recording and playback equipment; the company's gramophone manufacturing led to forty years of success with larger-scale electronics and electrical engineering. In 1934, the company developed the electronic Marconi-EMI system for television broadcasting, which replaced Baird's system following its introduction in 1936.
After the war, the company resumed its involvement in making broadcasting equipment, notably providing the BBC's second television transmitter at, it manufactured broadcast television cameras for British television production companies as well as for the BBC. The commercial television ITV companies used them alongside cameras made by Pye and Marconi.Their best-remembered piece of broadcast television equipment was the EMI 2001 colour television camera, which became the mainstay of much of the British television industry from the end of the 1960s until the early 1990s. Exports of this piece of equipment were low, EMI left this area of product manufacture., an engineer employed by EMI, conducted a great deal of pioneering research into sound recording many years prior to the practical implementation of the technique in the early 1950s, he was killed in 1942 whilst conducting flight trials on an experimental H2S radar set. During and after, the in developed radar equipment, devices such as the reflex oscillator, devices such as image converters, guided missiles employing analogue computers; the company was for many years an internationally respected manufacturer of photomultipliers. This part of the business was transferred to Thorn as part of later became the independent concern Ltd.The EMI Machine, a valve and computer, was built in the 1950s to process the payroll. In 1958 the EMIDEC 1100, the UK's first commercially available all-transistor computer, was developed at Hayes under the leadership of, an electrical engineer at EMI. In the early 1970s, with financial support by the UK as well as EMI research investment, developed the first CT scanner, a device which revolutionised medical imaging.
In 1973 EMI was awarded a prestigious for what was called the EMI scanner, in 1979 Hounsfield won the for his accomplishment. After brief, but brilliant, success in the medical imaging field, EMI's manufacturing activities were sold off to other companies, notably Thorn. Subsequently and manufacturing activities were sold off to other companies and work moved to other towns such as and Wells.Emihus Electronics, based in, was owned 51% by, of, US, 49% by EMI. It manufactured integrated circuits electrolytic capacitors and, for a short period in the mid-1970s, hand-held calculators under the Gemini name. Early in its life, the Gramophone Company established operations in a number of other countries in the, including.
Australian and New Zealand subsidiaries dominated the popular music industries in those countries from the 1920s until the 1960s, when other locally owned labels began to challenge the near of EMI. Over 150,000 recordings from around the world are held in EMI's temperature-controlled archive in Hayes, some of which have been released on CD since 2008. In 1931, the year the company was formed, it opened the legendary recording studios at,.
During the 1930s and 1940s, its roster of artists included Arturo. The LP is an analog sound storage medium, a record format characterized by a speed of 33 1⁄3 rpm, a 12- or 10-inch diameter, use of the 'microgroove' groove specification. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few minor refinements and the important addition of sound, it has remained the standard format for vinyl albums. At the time the LP was introduced, nearly all records for home use were made of an abrasive compound, employed a much larger groove, played at 78 revolutions per minute, limiting the playing time of a 12-inch diameter record to less than five minutes per side; the new product was a 12- or 10-inch fine-grooved disc made of PVC and played with a smaller-tipped 'microgroove' at a speed of 33 1⁄3 rpm. Each side of a 12-inch LP could play for about 22 minutes.
Only the microgroove standard was new, as both vinyl and the 33 1⁄3 rpm speed had been used for special purposes for many years, as well as in one unsuccessful earlier attempt to introduce a long-playing record for home use by.Although the LP was suited to classical music because of its extended continuous playing time, it allowed a collection of ten or more pop music recordings to be put on a single disc. Such collections, as well as longer classical music broken up into several parts, had been sold as sets of 78 rpm records in a specially imprinted 'record album' consisting of individual record sleeves bound together in book form; the use of the word 'album' persisted for the one-disc LP equivalent.
Novo Cd Exaltasamba 2010 Ta Vendo Aquela Lua Cifra
The prototype of the LP was the soundtrack disc used by the motion picture sound system, developed by and introduced in 1926. For soundtrack purposes, the less than five minutes of playing time of each side of a conventional 12-inch 78 rpm disc was not acceptable; the sound had to play continuously for at least 11 minutes, long enough to accompany a full 1,000-foot reel of 35 mm film projected at 24 frames per second. The disc diameter was increased to 16 inches and the speed was reduced to 33 1⁄3 revolutions per minute.Unlike their smaller LP descendants, they were made with the same large 'standard groove' used by 78s. Unlike conventional records, the groove started at the inside of the recorded area near the label and proceeded outward toward the edge. Like 78s, early soundtrack discs were pressed in an abrasive shellac compound and played with a single-use steel needle held in a massive electromagnetic pickup with a tracking force of five ounces. By mid-1931, all motion picture studios were recording on optical soundtracks, but sets of soundtrack discs, mastered by dubbing from the optical tracks and scaled down to 12 inches to cut costs, were made as late as 1936 for distribution to theaters still equipped with disc-only sound projectors.
Samba Vs Pagode
Radio programming was distributed on 78 rpm discs beginning in 1928; the desirability of longer continuous playing time soon led to the adoption of the Vitaphone soundtrack disc format. 16-inch 33 1⁄3 rpm discs playing about 15 minutes per side were used for most of these 'electrical transcriptions' beginning about 1930.Transcriptions were variously recorded inside out with an outside start. Longer programs, which required several disc sides, pioneered the system of recording odd-numbered sides inside-out and even-numbered sides outside-in so that the sound quality would match from the end of one side to the start of the next. Although a pair of turntables was used, to avoid any pauses for disc-flipping, the sides had to be pressed in a hybrid of manual and automatic sequencing, arranged in such a manner that no disc being played had to be turned over to play the next side in the sequence. Instead of a three-disc set having the 1–2, 3–4 and 5–6 manual sequence, or the 1–6, 2–5 and 3–4 automatic sequence for use with a drop-type mechanical record changer, broadcast sequence would couple the sides as 1–4, 2–5 and 3–6; some transcriptions were recorded with a vertically modulated 'dale' groove.
This was found to allow deeper and an extension of the high-end frequency response. Neither of these was a great advantage in practice because of the limitations of AM broadcasting.Today we can enjoy the benefits of those higher-fidelity recordings if the original radio audiences could not. Transcription discs were pressed only in, but by 1932 pressings in RCA Victor's vinyl-based 'Victrolac' were appearing. Other plastics were sometimes used. By the late 1930s, was standard for nearly all kinds of pressed discs except ordinary commercial 78s, which continued to be made of shellac. Beginning in the mid-1930s, one-off 16-inch 33 1⁄3 rpm discs were used by radio networks to archive recordings of their live broadcasts, by local stations to delay the broadcast of network programming or to prerecord their own productions.
In the late 1940s, magnetic tape recorders were adopted by the networks to pre-record shows or repeat them for airing in different time zones, but 16-inch vinyl pressings continued to be used into the early 1960s for non-network distribution of prerecorded programming. Use of the LP's microgroove standard began in the late 1950s, in the 1960s the discs were reduced to 12 inches, becoming physically indistinguishable from ordinary LPs.Unless the quantity required was small, pressed discs were a more economica. The classical is a member of the guitar family used in classical music. An acoustic wooden string instrument with strings made of gut or, it is a precursor of the acoustic and electric guitars which use metal strings; the name guitar comes from language. Tar is the name of an Iranian instrument that could be the primary form of guitar. Classical guitars are derived from the Spanish and in the fifteenth and sixteenth century, which evolved into the seventeenth and eighteenth century guitar and the modern classical guitar in the mid nineteenth century.
For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held on the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole; the modern steel string guitar, on the other hand has fourteen frets clear of the body and is played off the hip. The phrase 'classical guitar' may refer to either of two concepts other than the instrument itself: the instrumental finger technique common to classical guitar—individual strings plucked with the fingernails or fingertips.The instrument's classical music repertoireThe term modern classical guitar is sometimes used to distinguish the classical guitar from older forms of guitar, which are in their broadest sense called classical, or more early guitars. Examples of early guitars include the six-string early romantic guitar, the earlier baroque guitars with five courses; the materials and the methods of classical guitar construction may vary, but the typical shape is either modern classical guitar or that historic classical guitar similar to the early romantic guitars of. Classical guitar strings once made of gut are now made of such polymers as nylon, with fine wire wound about the acoustically lower strings. A guitar family tree may be identified; the guitar derives from the modern classical, but has differences in material and sound.
The is a four-, five-, or six-stringed instrument with a thin membrane stretched over a frame or cavity as a, called the head, circular. The membrane is made of plastic, although skin is still used.
Early forms of the instrument were fashioned by Africans in the, adapted from African instruments of similar design; the banjo is associated with folk, Irish traditional, country music. Banjo can be used in some. Countless Rock bands, such as, The, have used the five-string banjo in some of their songs; the banjo occupied a central place in traditional music and the folk culture of rural whites before entering the mainstream via the shows of the 19th century. The banjo, along with the, is a mainstay of American old-time music, it is very used in traditional.
The modern banjo derives from instruments, used in the since the 17th century by enslaved people taken from.Written references to the banjo in appear in the 18th century, the instrument became available commercially from around the second quarter of the 19th century. Several claims as to the etymology of the name 'banjo' have been made, it may derive from the word mbanza, an African string instrument modeled after the banza: a with five two-string courses and a further two short strings. The states that it comes from a dialectal pronunciation of Portuguese or from an early of Spanish; the name may derive from a traditional folk dance called ', which incorporates several cultural elements found throughout the African diaspora. Various instruments in Africa, chief among them the, feature a skin body; the African instruments differ from early banjos in that the necks do not possess a Western-style and tuning pegs, instead having stick necks, with strings attached to the neck with loops for tuning.Banjos with fingerboards and tuning pegs are known from the Caribbean as early as the 17th century. Some 18th- and early 19th-century writers transcribed the name of these instruments variously as bangie, bonjaw. Instruments similar to the banjo have been played in many countries. Another relative of the banjo is the, a spike folk played by the tribe of, the ubaw-akwala of the.
Similar instruments include the of and the of the region including parts of and, as well as a larger variation of the ngoni developed in by sub-Saharan Africans known as the. Early, African-influenced banjos were built around a wooden stick neck; these instruments had varying numbers of strings, though including some form of drone. The five-string banjo was popularized by, an American minstrel performer from.
Samba Pagode
Although is the first documented white banjoist, in the 1830s, Sweeney became the first white performer to play the banjo on stage.His version of the instrument replaced the gourd with a drum-like sound box and included four full-length strings alongside a short fifth string. This new banjo was at first tuned d'Gdf♯a, though by the 1890s, this had been transposed up to g'cgbd'. Banjos were introduced in Britain by Sweeney's group, the American, in the 1840s, became popular in music halls. In the South, many black slaves taught their masters how to play. For example, in his memoir With Sabre and: The Autobiography of a Soldier and Surgeon, the Confederate veteran and surgeon recalls learning to play the as a child from a slave on his family plantation. Two techniques associated with the five-string banjo are rolls and drones. Rolls are right hand accompanimental pattern that consist of eight notes that subdivide each measure.
Drone notes are quick little notes played on the 5th string to fill in around the melody notes; these techniques are both idiomatic to the banjo in all styles, their sound is characteristic of.The banjo was played in the style by the Africans who brought their version of the banjo with them. Several other styles of play were developed from this. Clawhammer consists of downward striking of one or more of the four main strings with the index, middle or both fingerwhile the drone or fifth string is played with a'lifting' motion of the thumb; the notes sounded by the thumb in this fashion are on the off beat. Melodies can be quite intricate adding techniques such as double drop thumb.
In old time music, a style called two-finger up-pick is used, a three-finger version that developed into the famous 'Scruggs' style picking was nationally aired in 1945 on the. While five-string banjos are traditionally played with either or the fingers themselves, banjos and banjos are played with a pick, either to full chords, or most in Irish traditional music, play single-note melodies; the modern banjo comes in a variety of forms, including four- and five-string versions.A six-string version and played to a, has gained popularity. In all of its forms, banjo playing is.